Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Josehp Bruggemann
Vista do Desterro

ID: 88377

Josehp Bruggemann Vista do Desterro
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Josehp Bruggemann Vista do Desterro


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Josehp Bruggemann

painted Vista do Desterro in 1867  Related Paintings of Josehp Bruggemann :. | The Two Sisters | Anna Margareta Wrangel, countess of Salmis | Portrait of king Wladyslaw I the Elbow-high. | Portrait of Pierre Carlet de Chamblain de Marivaux | Prophet Elijah and the Widow of Sarepta |
Related Artists:
John Durand
American. active1766-1782 A signed portrait (priv. col.) dated 1765 provides the first documentary information on him. He advertised in the New York Journal on 26 November 1767 that he had opened a drawing school, and again on 7 April 1768, announcing his availability as a history painter, though no examples of this activity survive. Like other painters in the colonies, he made his living from portrait painting. His most noted work, the Rapalije Children (1768; New York, NY Hist. Soc.), demonstrates the strong decorative sense, the delicate use of colour and the attempts at sophisticated value and texture application that characterize all his paintings. His skill as a draughtsman is evident in the carefully described details. Here, as in other works, he used a dark outline to define one plane from another, and he imparted a sense of elegance, particularly in the slightly turned heads and animated arms and hands.
Sergei Svetoslavsky
Russia,1869-1938
Philip Hermogenes Calderon
English genre, portraits, domestic and historical scenes Painter, 1833-1898 English painter of Spanish and French descent. His father, at one time a Roman Catholic priest, was Professor of Spanish Literature at King's College, London. Calderon studied at James M. Leigh's school in London in 1850, then in Paris at the studio of Fran?ois-Edouard Picot. He lived near by in Montmartre, sharing a room with fellow art student Henry Stacy Marks. He exhibited his first Royal Academy painting, By the Waters of Babylon (London, Tate), in 1853 and thereafter became a regular exhibitor until 1897. He first made his name with Broken Vows (London, Tate), exhibited in 1857. The painting shows a woman overhearing through a garden fence her lover betraying her and was painted in the detailed, clean-cut style associated with the Pre-Raphaelites.






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